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Professional mixing, mastering, recording, live feedback and beat production — every service tailored to your sound.
Professional mixing, mastering, recording, live feedback and beat production — every service tailored to your sound.
The studio's booked up right now. Drop your details below and we'll reach out the moment a slot opens.
Join the Waitlist →Send your stems and receive a polished, balanced mix that translates across every speaker — earbuds, car, club. Every frequency placed with intention. Every mix is given the time it deserves: multiple listen-throughs, ear rest between passes, system-check on monitors, headphones and earbuds. Rush turnarounds are available when stems are clean and the brief is clear — but the standard is to mix to perfection, not to the clock.
Each instrument, vocal, layer and FX return on its own track. No buses or groups unless you're sending them as extras.
No MP3s. 24-bit WAV only. Either sample rate is fine — just keep it consistent across all stems.
All files must start from the exact same point (bar 1 / 00:00:00). This keeps everything lined up perfectly on import.
Use descriptive names: Lead_Vox.wav, Kick.wav, Bass_Guitar.wav. Avoid: Track1.wav, Audio04.wav.
Bypass any limiting, compression or EQ on your master bus before exporting. Leave headroom — peaks should sit between -6dB and -3dB.
Send a song or mix that represents the sound and energy you're going for. This is one of the most useful things you can send.
The final step before release. Your track optimised for Spotify, Apple Music, Tidal and broadcast loudness standards. Upload your stereo mix — receive a master that hits with clarity and depth.
Send the final stereo mix at 24-bit / 44.1kHz or 48kHz. No MP3s. This is the file that will be mastered.
Remove any limiters, maximisers or heavy compression from your master bus before exporting. Your peaks should land between -3dB and -6dB true peak. If your mix is louder than -1dBTP, it needs adjusting first.
Play your mix back and listen for distortion. Check your meters. Any clipping needs to be fixed in your mix before mastering begins.
A commercial track that represents the loudness, tone and energy you're aiming for. Helps ensure the master lands exactly where you want it.
Mention where you're releasing (Spotify, Apple Music, SoundCloud, etc.) so the master is calibrated to the right LUFS target for that platform.
In-person recording sessions in Glasgow or on location across the UK. Vocals, instruments, spoken word, podcasts — whatever you need to capture professionally. Travelling artists: reach out about availability and travel schedule.
Have your lyrics written, memorised or on your phone. The more prepared you are, the more you can do in the session time.
Share your beat or backing track before the session so it can be loaded and ready. WAV preferred — MP3 accepted. Include BPM and key if you know them.
Drink water, warm up your voice. Avoid dairy and very cold drinks in the hours before a vocal session. You'll perform better and we'll get more done.
Share 2–3 tracks that represent how you want to sound or the energy you're going for. This helps dial in the recording setup and mic choice quickly.
Final session details — location, access, timing — should be confirmed 48 hours ahead. Any changes within 24 hours may affect your deposit.
A pro-level mix review with structured analysis and a live 1-on-1 Zoom call. Submit your track 48 hours ahead — receive a detailed written report covering mix balance, vocal placement, low-end clarity, dynamics, stereo width and industry-standard readiness, with practical next-step guidance. The call is for going deeper, asking questions, and getting honest feedback.
SoundCloud (private), Google Drive, Dropbox, WeTransfer or any streaming link. Send the link at least 2 hours before the session so it can be listened to beforehand.
What genre is it? What stage is it at (rough demo, finished mix, pre-release)? Who's the artist? The more context you give, the more targeted the feedback will be.
What do you want answered? Is the mix too muddy? Does the hook land? Is the arrangement too long? Come with questions — the session goes deeper that way.
If you want to compare your track against a specific commercial sound, have those references ready to pull up during the call.
Don't review your mix through laptop speakers on the call — you'll miss the detail in the feedback. Use headphones or monitors if possible.
A custom beat built around your sound, your reference, your energy. Collaborative from concept to delivery — your direction shapes every element. All genres considered. Everything stays private and confidential throughout.
2–5 tracks that represent the vibe, energy and sound you're going for. These don't need to be in the same genre — just whatever conveys the feeling.
Don't overthink it. "Dark, late-night, something that feels like driving alone at 3am" tells more than a list of technical specs.
Voice memos, rough melodies, chord ideas, samples you've been sitting on — send anything that's part of your creative starting point. Nothing gets used without discussion.
When do you need this? Is there a release date, a session booked, a deadline? The more lead time, the more scope for the creative process.
Do you need full exclusivity? Non-exclusive lease? Are you signing to a label that has specific requirements? These details shape the agreement from the start.
Original samples, loops, one-shots and textures produced in-session. Every pack is 100% royalty free — drop them into any project without clearance hassle. New packs drop regularly across genres and moods.
All samples exported clean and ready. No extra processing needed — though you're free to shape them however you like once they're in your project.
Every loop file includes BPM and key in the filename where relevant. Drag, drop, and know where you stand immediately.
Melodic packs include the MIDI data so you can repitch, rearrange and rebuild the idea with your own sounds.
Use the samples in any release — commercial, sync, playlist, label drops. No need to credit or clear. The licence document is included in every download.
You'll know what's happening at every stage. No silence, no ghosting — updates throughout the process from booking to delivery.
References are welcomed and acted on. The goal is always to serve your vision — not impose a sound on it.
Turnaround tiers are taken seriously. If anything changes, you're the first to know — and you'll always have options.
Every service includes revisions as part of getting it right together — not as an add-on or afterthought.
WAV and MP3 deliverables, properly labelled, platform-ready. No zip files with mystery names or half-finished exports.
Your music is your music. Nothing is shared, posted or referenced without your explicit permission — ever.
Choose the service above that fits your needs. For custom projects — beat production, recording, packages — use the enquiry link to describe your vision first and we'll confirm scope and cost from there.
Click the Book button on any service to open the enquiry form. Fill in your project details, pick your preferred tier, and share your stems or mix upload link. Mastering & Frequency Review can also be booked instantly without review.
Within 48 hours, Fimi personally reviews your enquiry. If your files are ready, you get a firm quote and a secure Stripe payment link. If anything needs fixing first (dry vocals, sample rate mismatch, missing stems), he replies with exactly what to update before he accepts.
Once accepted, you pay securely via Stripe. Payment triggers an immediate confirmation email with all next steps. For Mastering & Frequency Review, payment is upfront at the enquiry form and work begins right away after a quick file check.
Your delivery arrives within the chosen turnaround. Review it, send feedback, use your included revisions. Final files are delivered clean, labelled and ready for release.
Send a message — describe your project and we'll work out the right service together.
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